Australia has evolved from a nation of tea drinkers into one of passionate, true-to-Italian-immigrant espresso consumers.
On 19 March, 1932, after nine years of planning and building, more than a million Australians crossed the newly opened Sydney Harbour Bridge, the largest arch bridge in the world. This revised edition of Peter Spearitt's biography of the Bridge celebrates the 80th anniversary of the Sydney Harbour Bridge in March 2012. It tells the extraordinary story of the Bridge's design and construction, the drama of its official opening, and the way it has taken a central place in Sydney's celebrations and become a much-loved symbol of the city. The Bridge has inspired great art and drawn visitors from all over the world to marvel and climb it, yet is still so familiar that Sydneysiders refer to it endearingly as the coathanger. The Sydney Harbour Bridge celebrates not only a magnificent structure, but the people who use it.
Rhetoric and Wonder in English Travel Writing, 1560-1613, shows how rhetorical invention, elocution and ethos combined to create plausible representations by generating intellectual and emotional significances which, meaningful in consensual terms, were 'consensually' true. However, some traveller-writers betrayed an unease with such representation, rooted as it was in a metaphorical epistemology out of kilter with an increasingly empiricist age. This book throws new light onto the episteme shift that ushered in modernity with its distrust of metaphor in particular and rhetoric's 'wordish descriptions' in general. In response to the empirical desiderata of scientific rationalism, traveller-writers textually or physically made their own bodies available as evidence of their encounters with wonder, thus transforming themselves into wonderful objects. The irony is that, far from dispensing with rhetoric, they merely put the accent on its more dramatic arts of gesture and action. The body's evidence could still be doctored, but its illusory truths were better able to satisfy the empirical demand for 'ocular proof'. The author's main purposes here are to complement, and sometimes counter, recent work on early modern travel literature by concentrating on its use of rhetoric to communicate meaning; and to suggest how familiarity with the workings of rhetoric and its communicative and epistemological premises may enhance readings of early modern English literature generally.
Pictorial gift book guide to Sydney and surrounds.
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